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last name | first name | contributors | title | subtitle | aesthetics | power | phenomenology | history | globalization | the body | security | publics | valuation | 'gender' | 'race' | class | environment | political | art | design | technology | virtual | |
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Abram | David | Animism, Perception, and Earthly Craft of the Magician | aesthetics | phenomenology | the body | valuation | |||||||||||||||||
Abram | David | Coming to Our Animal Senses | A Dark Mountain Conversation Between David Abrams and Dougald Hine | phenomenology | the body | publics | valuation | virtual | |||||||||||||||
Agamben | Giorgio | Absolute Immanence | aesthetics | phenomenology | history | valuation | political | design | virtual | ||||||||||||||
Adorno | Theodor | Aesthetic Theory | Aesthetic Law and Artistic Mystery | aesthetics | valuation | art | |||||||||||||||||
Adorno | Theodor | Commitment | |||||||||||||||||||||
Adorno | Theodor | Culture Industry | aesthetics | power | phenomenology | history | globalization | publics | valuation | class | environment | political | art | design | |||||||||
Adorno | Theodor | Letters to Walter Benjamin | |||||||||||||||||||||
Adorno | Theodor | Reconciliation Under Duress | political | ||||||||||||||||||||
Agamben | Giorgio | Angels | power | history | security | publics | class | design | |||||||||||||||
Agamben | Giorgio | Art, Inactivity, Politics | aesthetics | power | valuation | political | art | virtual | |||||||||||||||
Agamben | Giorgio | Beyond Human Rights | power | globalization | security | publics | political | ||||||||||||||||
Agamben | Giorgio | Difference and Repetition | On Guy Debord’s Films | aesthetics | technology | ||||||||||||||||||
Agamben | Giorgio | Elements for a Theory of Destituent Power | globalization | security | publics | technology | |||||||||||||||||
Agamben | Giorgio | For a Philosophy of Infancy | power | valuation | virtual | ||||||||||||||||||
Agamben | Giorgio | Form of Life | power | history | valuation | design | virtual | ||||||||||||||||
Agamben | Giorgio | Homo Sacer | power | valuation | |||||||||||||||||||
Agamben | Giorgio | Idea of Prose | aesthetics | power | phenomenology | history | the body | valuation | x | art | design | virtual | |||||||||||
Agamben | Giorgio | Image and Silence | aesthetics | phenomenology | history | ||||||||||||||||||
Agamben | Giorgio | Infancy and History | aesthetics | phenomenology | history | valuation | designx | virtual | |||||||||||||||
Agamben | Giorgio | Karman | power | phenomenology | history | valuation | x | virtual | |||||||||||||||
Agamben | Giorgio | Kommerell | phenomenology | the body | valuation | political | x | ||||||||||||||||
Agamben | Giorgio | Means Without End | power | history | globalization | the body | publics | valuation | political | virtual | |||||||||||||
Agamben | Giorgio | No to Biopolitical Tattooing | aesthetics | power | the body | security | publics | ||||||||||||||||
Agamben | Giorgio | Nymphs | aesthetics | phenomenology | the body | valuation | political | art | x | virtual | |||||||||||||
Agamben | Giorgio | Opus Dei | aesthetics | power | history | globalization | the body | security | valuation | class | virtual | ||||||||||||
Agamben | Giorgio | Philosophical Archaeology | aesthetics | phenomenology | history | valuation | x | virtual | |||||||||||||||
Agamben | Giorgio | Pilate and Jesus | power | phenomenology | history | valuation | x | virtual | |||||||||||||||
Agamben | Giorgio | Potentialities | aesthetics | power | history | globalization | security | publics | valuation | x | virtual | ||||||||||||
Agamben | Giorgio | Profanations | aesthetics | power | phenomenology | valuation | political | art | technology | virtual | |||||||||||||
Agamben | Giorgio | Remnants of Auschwitz | power | phenomenology | history | the body | security | publics | valuation | x | x | x | technology | virtual | |||||||||
Agamben | Giorgio | Speech and Knowledge | phenomenology | valuation | x | virtual | |||||||||||||||||
Agamben | Giorgio | Stanzas | phenomenology | valuation | art | virtual | |||||||||||||||||
Agamben | Giorgio | State of Exception | power | phenomenology | history | security | publics | valuation | political | virtual | |||||||||||||
Agamben | Giorgio | Taste | aesthetics | power | phenomenology | valuation | virtual | ||||||||||||||||
Agamben | Giorgio | The Adventure | aesthetics | power | phenomenology | valuation | political | x | virtual | ||||||||||||||
Agamben | Giorgio | The Campas the ‘Nomos’ of the Modern | power | globalization | security | publics | valuation | class | x | x | |||||||||||||
Agamben | Giorgio | The Eternal Return and the Paradox of Passion | aesthetics | phenomenology | publics | valuation | political | virtual | |||||||||||||||
Agamben | Giorgio | The Fire and the Tale | aesthetics | power | x | valuation | art | x | virtual | ||||||||||||||
Agamben | Giorgio | The Man Without Content | aesthetics | power | phenomenology | security | publics | valuation | art | x | virtual | ||||||||||||
Agamben | Giorgio | The Mystery of Evil | aesthetics | power | phenomenology | history | valuation | x | virtual | ||||||||||||||
Agamben | Giorgio | The Open | aesthetics | phenomenology | the body | valuation | x | political | virtual | ||||||||||||||
Agamben | Giorgio | The Work of Man | aesthetics | power | phenomenology | security | publics | x | virtual | ||||||||||||||
Agamben | Giorgio | The Highest Poverty | power | the body | security | valuation | class | political | design | ||||||||||||||
Agamben | Giorgio | Time that Remains | aesthetics | power | phenomenology | history | security | publics | valuation | art | x | virtual | |||||||||||
Agamben | Giorgio | Toward an Ontology of Style | aesthetics | power | phenomenology | valuation | virtual | ||||||||||||||||
Agamben | Giorgio | Umwelt and Tick | phenomenology | the body | environment | ||||||||||||||||||
Agamben | Giorgio | Vocation and Voice | power | phenomenology | publics | valuation | class | political | x | virtual | |||||||||||||
Agamben | Giorgio | What is an Apparatus | aesthetics | power | phenomenology | history | publics | valuation | art | x | virtual | ||||||||||||
Ahmed | Sara | A Phenomenology of Whiteness | power | phenomenology | the body | publics | race' | ||||||||||||||||
Alcolla | RubenA | Garcia-Diego,Hector | Anonymous Manifestos | aesthetics | power | phenomenology | history | valuation | race' | environment | political | design | virtual | ||||||||||
Aldersey-Williams | Hugh | Applied Curiosity | design | technology | virtual | ||||||||||||||||||
Alexander | Michelle | New Jim Crow | Mass Incarceration in the Age of Colorblindness | power | history | globalization | the body | security | race' | class | |||||||||||||
Althusser | Louis | Ideology and Ideological State Apparatuses | power | history | globalization | security | publics | valuation | gender' | race' | class | environment | political | design | |||||||||
Andraos | Amale | McLaughlin,Niali | Social Transparency | Introduction | Street Life | aesthetics | power | phenomenology | the body | security | publics | valuation | class | environment | political | design | |||||||
Antonelli | Paola | All Together Now! | design | technology | virtual | ||||||||||||||||||
Antonelli | Paola | Design and the Elastic Mind | design | technology | virtual | ||||||||||||||||||
Aranda | Julieta | Vidokle,Anton | Time/Bank | A Conversation with Julieta Aranda and Anton Vidokle | aesthetics | power | globalization | publics | valuation | class | political | art | technology | virtual | |||||||||
Arendt | Hannah | Between Past and Future | aesthetics | power | history | globalization | valuation | political | |||||||||||||||
Arendt | Hannah | Reflections on Violence | power | history | globalization | class | political | ||||||||||||||||
Arendt | Hannah | The Human Condition | power | phenomenology | history | globalization | the body | security | publics | valuation | political | ||||||||||||
Arendt | Hannah | The Origins of Totalitarianism | power | history | globalization | class | political | ||||||||||||||||
Azoulay | Ariella | Civil Contract of Photography | aesthetics | power | security | publics | art | technology | |||||||||||||||
Bachelard | Gaston | Poetics of Space | Miniature | aesthetics | power | phenomenology | publics | environment | art | design | |||||||||||||
Bachelard | Gaston | Poetics of Space | The Dialectic of Outside and Inside | aesthetics | power | phenomenology | the body | security | publics | environment | art | design | |||||||||||
Balestrini | Nanni | We Want Everything | A Novel | aesthetics | power | globalization | publics | valuation | class | environment | political | art | |||||||||||
Barad | Karen | Transmaterialities | aesthetics | power | globalization | publics | valuation | gender' | race' | class | environment | design | technology | virtual | |||||||||
Barnouw | Erik | The Magician and the Cinema | aesthetics | phenomenology | history | art | technology | ||||||||||||||||
Barthes | Roland | Camera Lucida | aesthetics | power | history | art | technology | ||||||||||||||||
Barthes | Roland | Myth Today | power | history | valuation | art | technology | ||||||||||||||||
Barthes | Roland | The Photographic Message | aesthetics | power | art | technology | |||||||||||||||||
Barthes | Roland | The Rhetoric of the Image | aesthetics | power | art | design | technology | ||||||||||||||||
Basar | Shumon | Douglas Coupland | The Age of Earthquakes | A Guide to the Extreme Present | aesthetics | power | globalization | publics | valuation | environment | political | art | design | technology | virtual | ||||||||
Baudrillard | Jean | Ecstasy of Communication | aesthetics | power | phenomenology | globalization | security | political | art | technology | |||||||||||||
Baudrillard | Jean | Seduction | aesthetics | power | the body | gender' | |||||||||||||||||
Baudrillard | Jean | The Precession of Simulacra | aesthetics | power | phenomenology | history | globalization | the body | security | valuation | political | art | technology | virtual | |||||||||
Benjamin | Walter | Conversations with Brecht | |||||||||||||||||||||
Benjamin | Walter | Reply to Adorno | |||||||||||||||||||||
Benjamin | Walter | The Work of Art in the Age of Mechanical Reproduction | aesthetics | power | globalization | publics | valuation | art | design | technology | |||||||||||||
Bennett | Jane | Vibrant Matter | power | phenomenology | valuation | environment | art | ||||||||||||||||
Bentham | Jeremy | Panopticon or Inspection-House | Containing the Idea of a New Principle of Construction | power | history | globalization | security | publics | valuation | race' | class | environment | political | design | |||||||||
Berardi | Franco ‘Bifo’ | How to Heal a Depression | aesthetics | power | phenomenology | globalization | the body | security | class | political | |||||||||||||
Bergen | Marina van den | Vollaard, Piet | The Biggest Living Room in the Netherlands | Frank van Klingeren's Karregat in Eindhoven, 1970-1973 | aesthetics | power | valuation | class | design | ||||||||||||||
Berger | John | Ways of Seeing | aesthetics | power | phenomenology | valuation | art | ||||||||||||||||
Berlant | Lauren | Michael Warner | Sex in Public | power | publics | gender' | political | ||||||||||||||||
Bernard | Malcolm | Art, Design and Visual Culture | aesthetics | power | phenomenology | globalization | publics | valuation | race' | class | art | design | virtual | ||||||||||
Beyer | Elke | Hagemann Anke | Case Studies | aesthetics | power | phenomenology | history | globalization | publics | valuation | class | environment | political | art | design | ||||||||
Beyer | Elke | Hagemann, Anke & Zinganel, Michael | Holidays After the Fall | Introduction | aesthetics | power | phenomenology | history | globalization | publics | valuation | class | environment | political | design | ||||||||
Beyer | Elke | Hagemann Anke | Sun, Sea, Sand and Architecture | How Bulgaria's Black Sea Coast was turned into a Tourist Project | aesthetics | power | phenomenology | history | globalization | publics | valuation | class | environment | political | design | ||||||||
Bigo | Didier | Globalized (in)Security | The Field and the Ban-opticon | power | globalization | security | publics | valuation | race' | class | political | design | technology | virtual | |||||||||
Birnbaum | Dara | Talking Back to the Media | aesthetics | power | valuation | gender' | art | technology | virtual | ||||||||||||||
Bloch | Maurice | Parry, Jonathan | Death and Regeneration | phenomenology | history | valuation | |||||||||||||||||
Bloch | Maurice | Death, Women and Power | power | phenomenology | the body | gender' | |||||||||||||||||
Bloch | Ernst | Discussing Expressionism | |||||||||||||||||||||
Bloch | Ernst | The Spirit of Utopia | power | globalization | security | publics | valuation | environment | political | design | |||||||||||||
Bloch | Ernst | The Utopian Function of Art and Literature | aesthetics | valuation | environment | political | art | design | |||||||||||||||
Bloomer | Jennifer | The Matter of the Cutting Edge | aesthetics | history | environment | design | |||||||||||||||||
Bond | Rose | Poetics and Public Space | An Investigation into Animated Installation | aesthetics | valuation | art | design | virtual | |||||||||||||||
Bordo | Susan | Body and the Reproduction of Femininity | power | the body | security | publics | valuation | gender' | political | design | |||||||||||||
Bordwell | David | Thompson, Kristin | Fundamental aesthetics of sound | phenomenology | valuation | art | |||||||||||||||||
Borisonik | Hernán | $oporte | El Uso del Dinero como Material en las Artes Visuales | Support: Money as Material in Visual Arts) | aesthetics | valuation | art | ||||||||||||||||
Boys | Jos | Neutral Gazes and Knowable Objects | Challenging Masculinist Structures of Architectural Knowledge | aesthetics | power | valuation | gender' | design | |||||||||||||||
Braidotti | Rosi | The Posthuman | power | phenomenology | globalization | the body | security | publics | valuation | gender' | race' | class | political | art | virtual | ||||||||
Brecht | Bertolt | Against Georg Lukacs | phenomenology | ||||||||||||||||||||
Brecht | Bertolt | A Short Organum for the Theatre | aesthetics | power | phenomenology | globalization | security | publics | valuation | class | environment | political | design | ||||||||||
Bridle | James | The New Aesthetic and its Politics | aesthetics | power | phenomenology | globalization | security | valuation | race' | art | design | ||||||||||||
Brown | Wendy | Undoing the Demos | power | phenomenology | history | globalization | the body | security | publics | valuation | gender' | race' | class | environment | political | design | virtual | ||||||
Buckley | Craig | After the Manifesto | aesthetics | power | phenomenology | history | valuation | environment | political | design | virtual | ||||||||||||
Burgin | Victor | Venise | environment | design | |||||||||||||||||||
Burns | Karen | Architecture / Discipline / Bondage | power | phenomenology | the body | gender' | environment | design | virtual | ||||||||||||||
Busch | Kathrin | Artistic Research and the Poetics of Knowldege | aesthetics | power | phenomenology | history | class | art | |||||||||||||||
Busch | Akiko | Design for Sports | Introduction | the body | design | technology | |||||||||||||||||
Busch | Akiko | Design for Sports | The Athlete Relocated | the body | design | technology | |||||||||||||||||
Butler | Judith | Gender Trouble | Bodily Inscriptions | Performative Subversions | power | phenomenology | the body | security | publics | valuation | gender' | design | virtual | ||||||||||
Butler | Judith | Senses of the Subject (intro) | power | phenomenology | the body | security | publics | gender' | race' | environment | art | design | |||||||||||
Cage | John | Silence | Lectures and Writings | aesthetics | phenomenology | the body | art | design | technology | ||||||||||||||
Caillois | Roger | Man, Play & Games | aesthetics | power | globalization | publics | valuation | class | political | virtual | |||||||||||||
Caillois | Roger | Simulation and Vertigo | aesthetics | power | phenomenology | the body | valuation | virtual | |||||||||||||||
Campbell | Joesph | The Hero With a Thousand Faces | valuation | art | design | ||||||||||||||||||
Cardinal-Pett | Clare | Detailing | aesthetics | gender' | art | design | |||||||||||||||||
Carney | Sean Joseph Patrick | Work of Art in Age of Mechanical Reproduction (Translation) | aesthetics | power | history | globalization | publics | valuation | art | design | technology | ||||||||||||
Castells | Manuel | Communication, Power and Counter-Power in the Network Society | power | history | globalization | security | class | political | design | technology | virtual | ||||||||||||
Chase | John Leighton | Margaret Crawford and John Kaliski | Everyday Urbanism (Introduction) | power | phenomenology | globalization | security | publics | environment | design | |||||||||||||
Chavoya | C. Odine | Internal Exiles | The Interventionist | Public and Performance Art of Asco | aesthetics | power | history | the body | publics | environment | political | art | |||||||||||
Clifford | James | Notes on Travel and Theory | power | phenomenology | globalization | security | publics | race' | design | ||||||||||||||
Clifford | James | Routes | White Ethnicity | power | phenomenology | history | the body | race' | |||||||||||||||
Clough | Patricia Ticineto | Calculative Aesthetic | Objects and Unconcsious Desire in the Age of Big Data | aesthetics | art | design | technology | ||||||||||||||||
Coleman | John | Landscape(s) of the Mind | Public Space and Narrative Specificity | aesthetics | power | phenomenology | the body | publics | valuation | political | design | ||||||||||||
Colomina | Beatriz | Enclosed by Images | The Eameses' Multiscreen Architecture | aesthetics | phenomenology | valuation | environment | art | design | technology | virtual | ||||||||||||
Colomina | Beatriz | Manifesto Architecture | power | phenomenology | history | publics | valuation | environment | political | design | virtual | ||||||||||||
Condorelli | Celine | Exergue | aesthetics | power | history | publics | valuation | environment | |||||||||||||||
Cousins | Mark | Where? | power | history | globalization | gender' | environment | design | |||||||||||||||
Crary | Jonathan | 24 / 7 | Late Capitalism and the Ends of Sleepaesthetics | power | phenomenology | history | globalization | the body | security | publics | valuation | gender' | race' | class | environment | political | design | technology | virtual | ||||
Crawford | Margaret | Blurring the Bourndaries | Public Space, Private Life | power | globalization | the body | publics | valuation | gender' | environment | design | ||||||||||||
Crosby | Christina | A Body Undone | power | phenomenology | the body | valuation | gender' | virtual | |||||||||||||||
Cubitt | Sean | Fountains and Grottos | aesthetics | phenomenology | globalization | valuation | class | environment | political | design | |||||||||||||
Darer | Antonia | Torres, Rodolfo | Shattering the 'Race Lens' | Toward a Critical Theory of Racism | power | history | globalization | valuation | race' | political | |||||||||||||
Davis | Angela | Slaying the Dream | The Black Family and the Crisis of Capitalism | power | the body | valuation | race' | class | design | ||||||||||||||
De Certeau | Michel | Making Do | Uses and Tactics | globalization | the body | security | valuation | political | design | ||||||||||||||
Debord | Guy | Situationist International Anthology | Situationist Theses on Traffic | aesthetics | power | publics | valuation | environment | design | ||||||||||||||
Debord | Guy | Society of the Spectacle | aesthetics | power | phenomenology | globalization | security | publics | valuation | political | art | virtual | |||||||||||
DeLanda | Manuel | Philosophy and Simulation | The Emergence of Synthetic Reason | power | phenomenology | history | globalization | security | publics | valuation | gender' | class | environment | art | design | technology | virtual | ||||||
Deleuze | Gilles | The Fold | Leibniz and the Baroque | aesthetics | power | phenomenology | history | globalization | valuation | design | virtual | ||||||||||||
Delphy | Christine | Leonard, Diana | A Materialist Feminism is Possible | power | security | valuation | gender' | race' | class | political | design | ||||||||||||
Derrida | Jacques | Differance | power | the body | security | publics | valuation | race' | art | ||||||||||||||
Diederichsen | Diedrich | Audio Poverty | aesthetics | power | phenomenology | globalization | publics | valuation | class | environment | political | art | technology | virtual | |||||||||
Draxler | Helmut | Miya Yoshida | Symbolic Engineering | Measurement, Aesthetics and the Rules for Art | aesthetics | power | security | valuation | art | design | technology | ||||||||||||
Dubois | W.E.B. | Double Consciousness | aesthetics | power | phenomenology | valuation | race' | class | political | ||||||||||||||
Elkins | James | The Object Stares Back | Just Looking | aesthetics | power | phenomenology | the body | publics | valuation | race' | class | ||||||||||||
Fanon | Frantz | The Fact of Blackness | power | valuation | race' | design | |||||||||||||||||
Farrell | Barry | A Candid Conversation with the Visionary Architect / Inventor / Philosopher R. Buckminster Fuller | (Playboy Magazine) | aesthetics | power | the body | publics | valuation | gender' | environment | design | ||||||||||||
Federici | Silvia | Why Sexuality is Work | power | the body | valuation | gender' | design | ||||||||||||||||
Fischer | George | Evidence as Subject Matter | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | art | ||||||||||
Fisher | Frederick | Sain, Robert | LACMALab | valuation | gender' | design | |||||||||||||||||
Foucault | Michel | Discipline and Punish | power | phenomenology | globalization | the body | security | publics | valuation | class | environment | political | design | ||||||||||
Foucault | Michel | Of Other Spaces | Utopias and Hterotopias | aesthetics | power | history | globalization | the body | security | publics | valuation | gender' | race' | class | environment | political | design | ||||||
Foucault | Michel | The Subject and Power | power | phenomenology | globalization | the body | security | publics | valuation | race' | class | environment | political | design | |||||||||
Freedman | Eric | Transient Images | Personal Media in Public Frameworks | Trauma and the Cellular Imaginary | aesthetics | publics | virtual | ||||||||||||||||
Freedman | Eric | Transient Images | The Architectures of Cyberdating | aesthetics | publics | virtual | |||||||||||||||||
Fulcher | James | What is Capitalism? | power | history | globalization | security | valuation | class | political | ||||||||||||||
Gadamer | Hans Georg | The Hermeneutics of Suspicion | power | globalization | security | valuation | gender' | ||||||||||||||||
Galloway | Alexander | Thacker, Eugene | Excommunication | aesthetics | power | history | globalization | publics | valuation | environment | political | art | design | technology | virtual | ||||||||
Galloway | Alexander | Thacker, Eugene | The Exploit | power | history | globalization | the body | security | publics | valuation | gender' | race' | class | political | design | virtual | |||||||
Gardner | Katy | Location and Relocation | aesthetics | history | globalization | the body | political | ||||||||||||||||
Gardner | Colin | No Guarantees | They're Wolves | Structure, Movement and the Dystopic in Diana Thater's Chinare | aesthetics | phenomenology | history | security | gender' | class | environment | political | art | technology | virtual | ||||||||
Gazetas | Aristides | French Avant-Garde Tradition and Surrealism | aesthetics | history | art | ||||||||||||||||||
Geczy | Adam | Reframing Art | aesthetics | phenomenology | history | art | design | ||||||||||||||||
Goll | Morten | Jesper | Democracy is a Good Idea | power | globalization | publics | design | ||||||||||||||||
Gomez-Pena | Guillermo | Ethno-Techno Writings on Performance Activism and Pedegogy | power | globalization | the body | security | valuation | race' | political | art | technology | ||||||||||||
Goswamy | B.N. | Another Past, Another Context | power | history | globalization | valuation | race' | ||||||||||||||||
Graeber | David | Dead Zones of the Imagination | An Essay on Structural Stupidity | power | globalization | publics | valuation | class | political | design | technology | ||||||||||||
Graeber | David | Of Flying Cars and the Declining Rate of Profit | power | globalization | publics | valuation | class | political | design | technology | |||||||||||||
Graeber | David | The Iron Law of Liberalism and the Eera of Total Bureaucratization | power | globalization | publics | valuation | class | political | design | technology | |||||||||||||
Graham | Beryl | Sarah Cook | Rethinking Curating | Art After New Media | aesthetics | history | valuation | environment | art | ||||||||||||||
Groys | Boris | Introduction: Global Conceptualism Revisted | power | history | globalization | the body | security | valuation | class | political | design | technology | virtual | ||||||||||
Groys | Boris | The Obligation to Self Design | aesthetics | power | globalization | valuation | art | design | |||||||||||||||
Gunning | Tom | Aesthetic of Astonishment | aesthetics | phenomenology | security | environment | art | ||||||||||||||||
Hall | Peter | Critical Visualization | design | technology | virtual | ||||||||||||||||||
Halprin | Lawrence | The RSVP Cycles | aesthetics | power | phenomenology | history | class | art | |||||||||||||||
Haraway | Donna | A Cyborg Manifesto | power | phenomenology | globalization | the body | security | publics | gender' | design | technology | virtual | |||||||||||
Harney | Stefano | Fred Moten | The Undercommons | Fugitive planning and black study | power | history | security | publics | valuation | race' | class | ||||||||||||
Hartman | Saidiya | Scenes of Subjection | power | phenomenology | history | publics | race' | class | |||||||||||||||
Havik | Klaske | Teerds, Hans | Define and Let Go | An Interview with John Habraken | aesthetics | power | publics | valuation | political | design | |||||||||||||
Hayles | Katherine | Traumas of Code | power | phenomenology | globalization | security | publics | valuation | class | environment | design | technology | virtual | ||||||||||
Hegel | Georg | Lordship and Bondage | power | the body | valuation | art | virtual | ||||||||||||||||
Herbert | Zbigniew | Study of the Object | aesthetics | the body | valuation | gender' | race' | art | design | ||||||||||||||
Heskett | John | Toothpicks and Logos | aesthetics | publics | valuation | art | design | ||||||||||||||||
Hoberman | J | Vietnam | The Remake | history | valuation | art | |||||||||||||||||
Holt | Steven Skov | Design for Sports | Notes on an Infinity of Sports Cultures | the body | design | technology | |||||||||||||||||
hooks | bell | Feminist Class Struggle | power | the body | publics | valuation | gender' | class | political | design | |||||||||||||
hooks | bell | Moving Beyond Pain | power | phenomenology | history | globalization | the body | publics | valuation | gender' | race' | ||||||||||||
hooks | bell | The Oppositional Gaze | Black Female Spectators | aesthetics | power | phenomenology | the body | security | publics | valuation | gender' | race' | |||||||||||
Houdart | Sophie | What is in the Air? Or How We Get to Know What We Know About Invisible Things | aesthetics | publics | valuation | art | design | technology | |||||||||||||||
Idenburg | Florian | L.A.’s Not-So-Distant Future | power | phenomenology | the body | security | valuation | class | political | design | |||||||||||||
Ikenberg | Tamara | History Refused to Die | power | history | globalization | security | valuation | race' | class | environment | |||||||||||||
Iles | Chrissie | Video and Film Space | aesthetics | phenomenology | history | environment | art | technology | |||||||||||||||
Inagaki | Tatsuo | Fieldwork as Artistsic Practice | aesthetics | globalization | valuation | environment | art | ||||||||||||||||
Internationale Situationniste | The Use of Free Time | aesthetics | power | publics | valuation | political | design | ||||||||||||||||
Invisible Committee | Fuck Off Google | globalization | security | publics | valuation | class | environment | political | design | technology | |||||||||||||
Jameson | Fredric | Reflections in Conclusion | |||||||||||||||||||||
Jencks | Charles | Silver, Nathan | The Spirit of Adhocism | power | phenomenology | valuation | political | design | |||||||||||||||
Jenkins | Bruce | The Machine in the Museum; or | The Seventh Art in Search of Authorization | aesthetics | power | publics | environment | political | art | ||||||||||||||
Jiwani | Yasmin | Violating In/Visibilities | aesthetics | phenomenology | the body | security | publics | valuation | gender' | race' | class | environment | political | art | design | technology | virtual | ||||||
Jones | Amelia | The 1970s Situation and Recent Installation | Joseph Ssntarromana's Intersubjective Engagments | aesthetics | history | environment | art | ||||||||||||||||
Judt | Tony | What is Living and What is Dead in Social Democracy | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | political | design | |||||||||||
Karp | Ivan | Lavine, Stephen D | Exhibiting Cultures | pt1 | aesthetics | power | history | globalization | valuation | race' | art | ||||||||||||
Keisler | Frederick | Function Follows Vision Vision Follows Reality | aesthetics | publics | valuation | environment | art | design | |||||||||||||||
Kerr | Robert | Compression and Oppression | power | phenomenology | security | publics | valuation | class | environment | political | design | technology | virtual | ||||||||||
Kohn | Eduardo | How Forests Think | Toward an Anthropology Beyond the Human | power | phenomenology | globalization | the body | publics | valuation | race' | design | ||||||||||||
Kopplin | John | An Illustrated History of Computers Part ii | power | phenomenology | history | valuation | art | design | technology | ||||||||||||||
Kracauer | Siegfried | Boredom | power | phenomenology | the body | valuation | environment | political | design | technology | virtual | ||||||||||||
Krauss | Rosalind | Notes of the Index | phenomenology | the body | valuation | environment | technology | virtual | |||||||||||||||
Kulcher | Susanne | Art as Ethnography The Case of Sophie Calle | The Case of Sophie Calle | history | globalization | valuation | race' | art | |||||||||||||||
Kunst | Bojana | On Laziness and Less Work | aesthetics | power | globalization | publics | valuation | art | |||||||||||||||
Kwon | Miwon | One Place After Another | Notes on Site Specificity | aesthetics | phenomenology | globalization | publics | valuation | environment | art | |||||||||||||
La Mettrie | Julien Offray de | Man a Machine | power | the body | valuation | gender' | art | design | technology | ||||||||||||||
Labarta | Carlos | Tarrago, Jorge | The Last Manifesto | The Permanence of Humanity and the Ephmeriality of Geniuses | power | phenomenology | history | publics | valuation | environment | political | design | virtual | ||||||||||
Larsen | Ernest | Ordinary Gestures of Resistance | power | the body | environment | political | |||||||||||||||||
Latour | Bruno | Why Has Critique Run out of Steam? | From Matters of Fact to Matters of Concern | power | globalization | security | valuation | political | art | design | technology | virtual | |||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Afterward | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Be Unproductive | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Embrace the Void | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Hesitate and Question | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Improvise | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Invite and Participate | aesthetics | power | publics | valuation | class | political | design | ||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | On Value | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Play | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Share | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Support | aesthetics | power | valuation | class | political | design | |||||||||||||
Lauwaert | Maaike | Westrenen, Francien van | Facing Value | Unite | aesthetics | power | valuation | class | political | design | |||||||||||||
Leube | Leon | Every State has a Hole | history | globalization | the body | security | valuation | race' | political | ||||||||||||||
Levine | Caroline | Forms | Whole, Rhythm, Heiarchy, Network | aesthetics | phenomenology | globalization | security | publics | valuation | gender' | race' | class | environment | design | technology | ||||||||
Linfield | Susie | The Cruel Rafiance Photojournalism and Human Rights | Photojournalism and Human Rights | aesthetics | history | globalization | the body | publics | valuation | art | design | technology | |||||||||||
Lopéz | Tiffany Ana | Imaging Community | aesthetics | phenomenology | globalization | the body | publics | valuation | gender' | race' | class | environment | political | ||||||||||
Lord | Catherine | The Anthropologist's Shadow | phenomenology | history | publics | valuation | |||||||||||||||||
Losh | Elizabeth | Beyond Biometrics | power | phenomenology | globalization | the body | valuation | gender' | race' | design | |||||||||||||
Lovink | Geert | What is the Social in Social Media? | globalization | publics | valuation | class | environment | design | technology | virtual | |||||||||||||
Lukacs | Georg | Realism in the Balance | |||||||||||||||||||||
Lunenfeld | Peter | On Art and Technology at Lacma | aesthetics | publics | valuation | class | design | technology | |||||||||||||||
MacDonald | Scott | A Critical Cinema | Kenneth Anger | aesthetics | valuation | art | |||||||||||||||||
Mallarme | Stephane | A Throw of the Dice Never Will Abolish Chance | history | security | valuation | art | |||||||||||||||||
Maltzan | Michael | Social Transparency | power | phenomenology | the body | security | publics | valuation | class | environment | political | design | |||||||||||
Manaugh | Geoff | A Burgular's Guide to the City | security | publics | environment | design | technology | ||||||||||||||||
Mann | Nolan | Wellman | Surveillance & Society | Sousveillance | power | phenomenology | globalization | security | publics | valuation | political | design | technology | virtual | |||||||||
Mappes-Niediek | Norbert | A Thorny Thicket | aesthetics | phenomenology | history | globalization | publics | valuation | class | environment | political | design | technology | ||||||||||
Martin | Elizabeth | Pamphlet Architecture 16 | Architecture as a Translation of Music | aesthetics | phenomenology | the body | art | design | technology | virtual | |||||||||||||
Massey | Doreen | Space, Place and Gender | power | globalization | publics | ||||||||||||||||||
Massumi | Brian | Autonomy of Affect | power | phenomenology | history | globalization | the body | security | valuation | class | environment | art | design | technology | virtual | ||||||||
Massumi | Brian | Parables for the Virtual | power | phenomenology | globalization | the body | security | publics | valuation | environment | art | design | technology | virtual | |||||||||
Massumi | Brian | Strange Horizon | power | phenomenology | globalization | the body | security | publics | valuation | environment | art | design | technology | virtual | |||||||||
Massumi | Brian | The Bleed | power | phenomenology | history | globalization | the body | security | publics | valuation | environment | art | design | technology | virtual | ||||||||
Mauss | Marcel | The Exchange of Gifts and the Obligation to Reciprocate | aesthetics | publics | valuation | class | political | art | design | ||||||||||||||
McCluhan | Marshall | The Medium is the Message | phenomenology | valuation | art | design | virtual | ||||||||||||||||
McMahon | Kevin | Displacements, Furnishings, Houses, Museums | phenomenology | globalization | environment | art | |||||||||||||||||
Merleau-Ponty | Maurice | Phenomenologyy of Perception | aesthetics | phenomenology | history | globalization | the body | security | publics | valuation | gender' | environment | design | virtual | |||||||||
Merleau-Ponty | Maurice | Butler, Judith | The Visible and Invisible | Precarious Life | aesthetics | phenomenology | history | globalization | the body | security | publics | valuation | race' | class | environment | art | design | technology | virtual | ||||
Metahaven | Black Transparency | The Right to Know in the Age of Mass Surveillance | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | class | environment | political | art | design | technology | virtual | ||||||
Meyer | James | The Functional Site; or | or The Transofmation of Site Specificity | aesthetics | history | globalization | environment | design | |||||||||||||||
Mies | Maria | Patriarchy and the Accumulation on a World Scale | history | globalization | publics | valuation | gender' | class | environment | political | design | ||||||||||||
Minato | Chihiro | Measuring the Measurer | aesthetics | power | valuation | design | technology | ||||||||||||||||
Minato | Chihiro | Sophie Houdart | Politics of Measurement | aesthetics | power | environment | art | design | technology | ||||||||||||||
Minh-Ha | Trinh | When the Moon Waxes Red | Questions of Images and Politics | power | phenomenology | history | globalization | security | valuation | gender' | race' | environment | political | design | |||||||||
Mirzoeff | Nicholas | Panoptic Modernity | aesthetics | power | phenomenology | history | globalization | the body | security | publics | valuation | gender' | race' | class | political | design | technology | virtual | |||||
Mirzoeff | Nicholas | Slavery, Modernity and Visual Culture | aesthetics | power | phenomenology | history | globalization | the body | security | publics | valuation | class | political | design | |||||||||
Mirzoeff | Nicholas (editor) | The Visual Culture Reader | power | phenomenology | history | globalization | the body | security | publics | valuation | class | political | design | ||||||||||
Mirzoeff | Nicholas | The Right to Look | aesthetics | power | phenomenology | globalization | the body | security | gender' | political | design | ||||||||||||
Mitchell | W.J.T. | What Do Pictures Want? | power | valuation | political | design | |||||||||||||||||
Moctezuma | Alessandra | Ramos, Leda | Hidden Economies in Los Angeles | An Emerging Latino Metropolis | aesthetics | phenomenology | history | globalization | the body | valuation | class | environment | political | ||||||||||
Mondloch | Kate | Be Here and There Now | aesthetics | phenomenology | globalization | environment | |||||||||||||||||
Monson | Ingrid | Hearing, Seeing, and Perceptual Agency | aesthetics | phenomenology | the body | valuation | environment | ||||||||||||||||
Morozov | Evgeny | Making It | Pick Up a Spot Welder and Join the Revolution | security | valuation | class | political | art | design | technology | |||||||||||||
Mossberger | Karen | Caroline J Tolbert & Ramona S McNeal | Introduction | political | virtual | ||||||||||||||||||
Moten | Fred | In the Break | Aesthetics of the Black Radical Tradition | phenomenology | history | publics | valuation | class | political | ||||||||||||||
Mrduljas | Maroje | Building the Affordable Arcadia | Tourism Development on the Croatian Adriatic Coast Under State Socialism | aesthetics | phenomenology | history | globalization | publics | valuation | class | environment | political | design | ||||||||||
Mullican | Matt | Patricia T Clough | Aesthetics of Measurement | aesthetics | power | phenomenology | valuation | art | design | technology | |||||||||||||
Mullican | Matt | Aesthetics of Measurement | Who Feels the Most Pain? | power | phenomenology | valuation | art | design | technology | ||||||||||||||
Naremore | James | Stanley Kubrick and the Aesthetics of the Grotesque | aesthetics | valuation | art | technology | |||||||||||||||||
Nehl | Markus | Transnational Black Dialogue | power | history | globalization | the body | publics | valuation | race' | class | political | ||||||||||||
Nieuwenhuys | Constant | Another City for Another Life | aesthetics | publics | valuation | environment | political | design | |||||||||||||||
Noys | Benjamin | Malign Velocities | Accelerationism and Capitalism | power | history | globalization | valuation | class | political | ||||||||||||||
Obrist | Hans Ulrich | In Conversation with Julian Assange Pt ii | power | phenomenology | globalization | security | political | design | technology | virtual | |||||||||||||
Obrist | Hans Ulrich | In Conversation with Julian Assange Pt i | power | phenomenology | globalization | security | valuation | political | design | technology | virtual | ||||||||||||
Otxotorena | Juan M. | Contemporary Architecture and the Manifesto Genre | |||||||||||||||||||||
Painter | Nell Irvin | Early American White People Observed | power | history | |||||||||||||||||||
Papanek | Victor | Do it Yourself Murder | history | globalization | valuation | environment | design | ||||||||||||||||
Parry | Jonathan | Sacrificial Death and the Necrophagous Ascetic | aesthetics | phenomenology | history | ||||||||||||||||||
Pasquinelli | Matteo | Alleys of Your Mind | Augmented Intelligence and Its Traumas | power | phenomenology | history | globalization | the body | security | publics | valuation | race' | class | environment | design | virtual | |||||||
Paul | Christiane | Challenges for Ubiquitous Museum | Presenting and Preserving New Media | aesthetics | globalization | publics | valuation | environment | design | technology | |||||||||||||
Paul | Christiane | New Media in the White Cube and Beyond | aesthetics | history | globalization | publics | valuation | environment | |||||||||||||||
Peirce | Charles | Logic as Semiotic | phenomenology | ||||||||||||||||||||
Peirce | Charles | On the Nature of Signs | |||||||||||||||||||||
Pellizzi | Francesco | On the Margins of Recorded History | Anthropology and Primitivism | history | race' | ||||||||||||||||||
Penney | Joel | The Citizen Marketer | Political Fans and Cheerleaders | power | publics | political | technology | virtual | |||||||||||||||
Penney | Joel | The Citizen Marketer | The Citizen Marketer Approach to Political Action | globalization | publics | political | technology | virtual | |||||||||||||||
Penny | Laurie | Meat Market | Female Flesh Under Capitalism | Dirty Work | power | globalization | the body | security | publics | valuation | gender' | class | political | design | |||||||||
Pinney | Christopher | How the Other Half | publics | valuation | gender' | race' | class | art | |||||||||||||||
Piper | Adrian | Passing for White Passing for Black | the body | publics | valuation | gender' | race' | ||||||||||||||||
Pollock | Griselda | Thinking the Feminine | Aesthetic Practice as Introduction to Bracha Ettinger and the Concepts of Matrix and Metamorphosis | phenomenology | history | the body | publics | valuation | gender' | political | technology | virtual | |||||||||||
Powell | Lucy | Epistemology of Measurement | Notes on the Presentation | aesthetics | valuation | art | design | technology | |||||||||||||||
Powell | Lucy | Oxana Timofeeva | Epistemology of Measurement | aesthetics | power | valuation | art | design | technology | ||||||||||||||
Pozo | Jose Manuel | Medina, Jose Angel | The Alhambra Palace | The Katsura of the West | phenomenology | history | valuation | environment | political | design | virtual | ||||||||||||
Preciado | Beatriz | Testo Junkie | power | phenomenology | globalization | the body | security | valuation | gender' | race' | class | design | technology | ||||||||||
Prown | Jules | David | Style as Evidence | aesthetics | power | history | publics | valuation | class | art | |||||||||||||
Railey | Jennifer | McMaho | Dependent Origination and the Dual-Nature of the Japanese Aesthetic | aesthetics | phenomenology | history | publics | valuation | race' | art | |||||||||||||
Ranciere | Jacques | The Interdisciplinary | aesthetics | power | phenomenology | history | security | valuation | class | environment | art | design | virtual | ||||||||||
Reas | Casey | Chandler McWilliams | Form + Code In Design Art and Architecture | Form and Computers | aesthetics | art | design | technology | virtual | ||||||||||||||
Reas | Casey | Chandler McWilliams | Form + Code In Design Art and Architecture | Parameterize | aesthetics | art | design | technology | virtual | ||||||||||||||
Reas | Casey | Chandler McWilliams | Form + Code In Design Art and Architecture | Repeat | aesthetics | art | design | technology | virtual | ||||||||||||||
Reas | Casey | Chandler McWilliams | Form + Code In Design Art and Architecture | Simulate | aesthetics | art | design | technology | virtual | ||||||||||||||
Reas | Casey | Chandler McWilliams | Form + Code In Design Art and Architecture | Transform | aesthetics | art | design | technology | virtual | ||||||||||||||
Reas | Casey | Chandler McWilliams | Form + Code In Design Art and Architecture | Visualize | aesthetics | art | design | technology | virtual | ||||||||||||||
Reas | Casey | Chandler McWilliams | Form + Code In Design Art and Architecture | What is Code? | aesthetics | art | design | technology | virtual | ||||||||||||||
Ribas | Joao | Metahaven | Under the Clouds | From Paranoia to the Digital Sublime | power | history | globalization | security | environment | technology | virtual | ||||||||||||
Richter | Hans | Easel-Scroll-Film | aesthetics | valuation | art | ||||||||||||||||||
Rickels | Lauence | Scream IV | phenomenology | the body | environment | art | |||||||||||||||||
Ritsema | Jan | A Liquid Revolution | Management and Political Representation: | A We-Can-Do-It-Ourselves Economy, A For-Free Economy | power | globalization | security | publics | valuation | environment | political | ||||||||||||
Rollig | Stella | Contemporary Art Practices and the Museum | aesthetics | globalization | publics | valuation | art | design | technology | ||||||||||||||
Roorda | Ruud | Kegge, Bas | Vital Architecture | (english, without case studies) | aesthetics | phenomenology | history | publics | valuation | class | environment | political | design | technology | |||||||||
Rosler | Martha | Culture Class | aesthetics | power | history | globalization | publics | valuation | environment | political | art | design | |||||||||||
Russell | Catherine | Archival Apocalypse Found Footage as Ethnography | Found Footage as Ethnography | history | globalization | valuation | race' | art | |||||||||||||||
Saito | Yuriko | Everyday Aesthetics | aesthetics | valuation | environment | art | design | ||||||||||||||||
Sample | Hilary | If Housing Then … A Wish List. | |||||||||||||||||||||
Sargent | Ted | Nanotechnology | design | technology | virtual | ||||||||||||||||||
Saussure | Ferdinand de | The Linguistic Sign | phenomenology | valuation | environment | virtual | |||||||||||||||||
Schrank | Brian | Practices Of Looking | Viewers Make Meaning pt ii | aesthetics | power | phenomenology | valuation | environment | art | design | |||||||||||||
Schrank | Brian | Practices Of Looking | Viewers Make Meaning pt i | aesthetics | power | phenomenology | valuation | environment | art | design | |||||||||||||
Scoditti | Glancarlo | Kitawa | A Linguistic and Aesthetic Analysis of Visual Art in Melanesia | Aesthetic Conversations | aesthetics | power | history | valuation | art | ||||||||||||||
Sconce | Jeffrey | Haunted Media | aesthetics | power | publics | valuation | art | technology | virtual | ||||||||||||||
Scott | Felicity D. | Tournaments | power | phenomenology | history | publics | valuation | environment | political | design | virtual | ||||||||||||
Sen | Amartya | Argumentative Indian | Women and Men | power | the body | publics | valuation | gender' | art | design | |||||||||||||
Sennett | Richard | Montaigne's Cat | globalization | valuation | environment | ||||||||||||||||||
Sheikh | Simon | Objects of Study or Commodiciaton of Knowledge? | Remarks on Artistic Research | aesthetics | power | phenomenology | history | globalization | the body | valuation | gender' | class | art | virtual | |||||||||
Shklovsky | Viktor | Art as Technique | aesthetics | power | phenomenology | security | valuation | political | art | ||||||||||||||
Silverman | Kaja | The Miracle of Analogy 1 | aesthetics | power | phenomenology | history | globalization | valuation | |||||||||||||||
Silverman | Kaja | The Miracle of Analogy 2 | aesthetics | power | phenomenology | history | globalization | valuation | |||||||||||||||
Simonds | Charles | Three Peoples | history | valuation | race' | class | art | ||||||||||||||||
Skeggs | Beverley | Values Beyond Value? Is Anything Beyond the Logic of Capital? | aesthetics | power | history | globalization | publics | valuation | environment | political | design | technology | |||||||||||
Smith | S. | Race and Reproduction in Camera Lucidia | aesthetics | power | history | the body | valuation | race' | art | technology | |||||||||||||
Sontag | Susan | Regarding the Pain of Others | power | history | globalization | the body | publics | valuation | race' | art | |||||||||||||
Srinivasan | Ramesh | Fish, Adam | After the Internet | Hacking the Hacktivists | power | publics | political | technology | virtual | ||||||||||||||
Srinivasan | Ramesh | Fish, Adam | After the Internet | Introduction | power | publics | political | technology | virtual | ||||||||||||||
Srinivasan | Ramesh | Fish, Adam | After the Internet | Media Activism | Shaping Online and Offline Networks | power | publics | political | technology | virtual | |||||||||||||
Stafford | Barbara Maria | Illiterate Monuments | The Ruin as Dialectic or Broken Classic | phenomenology | history | globalization | valuation | environment | |||||||||||||||
Stanislavski | Constantin | An Actor Prepares | art | ||||||||||||||||||||
Stanley | Jason | How Propaganda Works | Language as Mechanism of Control | aesthetics | power | phenomenology | history | security | publics | valuation | gender' | race' | class | environment | political | art | design | virtual | |||||
Stephan | Anna | What we can Learn from Artists' Projects in Museusms | aesthetics | power | publics | valuation | art | design | |||||||||||||||
Stewart | Susan | Garden Agon | phenomenology | history | environment | design | |||||||||||||||||
Steyerl | Hito | Freedom to Build | publics | class | design | ||||||||||||||||||
Uexküll | Jakob von | A Foray into the World of Animals and Humans (Introduction) | phenomenology | valuation | environment | ||||||||||||||||||
Uexkull | jakob von | Carriers of Meaning | phenomenology | globalization | the body | valuation | environment | ||||||||||||||||
Ukeles | Mierle Laderman | Manifesto | power | the body | publics | valuation | gender' | class | political | art | |||||||||||||
UNDP | Powerful Synergies | power | globalization | security | valuation | gender' | race' | class | environment | political | design | ||||||||||||
Verwoert | Jan | Exhaustion and Exuberance | Ways to Defy the Pressure to Perform | power | globalization | security | publics | valuation | class | political | art | design | technology | ||||||||||
Vidler | Anthony | From Manifesto to Discourse | power | phenomenology | history | publics | valuation | environment | political | design | virtual | ||||||||||||
Virilio | Paul | A Landscape of Events | aesthetics | phenomenology | history | globalization | security | publics | valuation | environment | political | ||||||||||||
Virilio | Paul | Art & Fear | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | art | ||||||||||
Virilio | Paul | Bunker Archeology | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | Lotringer, Sylvere | Crepuscular Dawn | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | Escape Velocity | power | phenomenology | history | globalization | security | publics | valuation | environment | political | ||||||||||||
Virilio | Paul | Popular Defense & Ecological Struggles | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | Lotringer, Sylvere | Pure War | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | ||||||||||
Virilio | Paul | Selected Interviews | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | Speed & Politics | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | Strategy of Deception | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | The Administration of Fear | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | The Aesthetics of Disappearance | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | The Great Accelerator | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | The Information Bomb | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virilio | Paul | The Lost Dimension | aesthetics | power | phenomenology | history | globalization | security | publics | valuation | environment | political | |||||||||||
Virno | Paolo | A Grammar of the Multitude | power | class | political | ||||||||||||||||||
Virno | Paolo | Riccardi, Alessia | Childhood and Critical Thought | phenomenology | |||||||||||||||||||
Virno | Paolo | Familiar Horror | phenomenology | ||||||||||||||||||||
Virno | Paolo | Natural-Historical Diagrams | The 'New Global' Movement and the Biological Invariant | power | history | globalization | valuation | environment | political | ||||||||||||||
Virno | Paolo | The Dismeasure of Art | An Interview | aesthetics | valuation | art | |||||||||||||||||
Virno | Paolo | Riccardi, Alessia | Theses on the New European Fascism | power | globalization | ||||||||||||||||||
Virno | Paolo | When the Word Becomes Flesh | Language and Human Nature | aesthetics | publics | design | |||||||||||||||||
Walker | Enrique | Retroactive Manifestos | power | phenomenology | history | publics | valuation | class | environment | design | virtual | ||||||||||||
Wallis | Brian | A Product You Could Kill For | (Damaged Goods, Desire and the Economy of the Object) | aesthetics | power | valuation | environment | art | design | technology | |||||||||||||
Wang | Jackie | Carceral Capitalism | aesthetics | power | phenomenology | history | globalization | the body | security | publics | valuation | gender' | race' | class | environment | political | design | technology | virtual | ||||
Warner | Michael | Publics and Counter Publics | power | globalization | the body | security | publics | valuation | gender' | race' | class | political | art | ||||||||||
Watson | James L. | Of Flesh and Bones | The Management of Death Pollution in Cantonese Society | power | phenomenology | history | political | ||||||||||||||||
Weizman | Eyal | Forensic Architecture | Notes | aesthetics | power | phenomenology | history | globalization | the body | security | publics | valuation | environment | political | design | technology | virtual | ||||||
Weizman | Eyal | Forensic Architecture | Part One | aesthetics | power | history | globalization | the body | security | publics | valuation | environment | political | design | technology | virtual | |||||||
Weizman | Eyal | Forensic Architecture | Part Three | aesthetics | power | history | globalization | the body | security | publics | valuation | environment | political | design | technology | virtual | |||||||
Weizman | Eyal | Forensic Architecture | Part Two | aesthetics | power | history | globalization | the body | security | valuation | environment | political | design | technology | virtual | ||||||||
Weizman | Eyal | Forensic Architecture | Preface & Intro | aesthetics | power | phenomenology | history | globalization | the body | security | publics | valuation | environment | political | design | technology | virtual | ||||||
Welchman | John C. | Public Art and the Sepctacle of Money | aesthetics | the body | publics | valuation | class | art | |||||||||||||||
Wells | Paul | The Toolbox of Technology and Technique | aesthetics | phenomenology | valuation | gender’ | art | design | technology | virtual | |||||||||||||
Whittington | William | Sound Design & Science Fiction | aesthetics | phenomenology | valuation | art | design | technology | virtual | ||||||||||||||
Wigley | Mark | Manifesto Fever | power | phenomenology | history | publics | valuation | political | design | virtual | |||||||||||||
Yoshida | Miya | Towards (Im)Measurability of Art and Life | Exercises in Measurement | Dance of Accuracies | aesthetics | power | valuation | art | design | technology | |||||||||||||
Yoshida | Miya | Towards (Im)Measurability of Art and Life | Exercises in Measurement | From Universality to Ubiquity of Measurement | aesthetics | power | valuation | art | design | technology | |||||||||||||
Yoshida | Miya | Towards (Im)Measurability of Art and Life | Exercises in Measurement | Im/Measurability of Life | aesthetics | power | valuation | art | design | technology | |||||||||||||
Yoshida | Miya | Towards (Im)Measurability of Art and Life | Exercises in Measurement | power | valuation | art | design | technology | |||||||||||||||
Yoshida | Miya | Towards (Im)Measurability of Art and Life | Introduction | aesthetics | power | valuation | art | design | technology | ||||||||||||||
Yoshida | Miya | Towards (Im)Measurability of Art and Life | Talking Back to the Light | Nameless Architecture and Its Critique of Epistemology | aesthetics | power | valuation | art | design | technology | |||||||||||||
Yoshida | Miya | Towards (Im)Measurability of Art and Life | Unit Situational | De-Institutionalising Measurement | aesthetics | power | valuation | art | design | technology | |||||||||||||
Zinganel | Michael | From 'Social Tourism' to a Mass Market Consumer Paradise | On the Democratization and Commodification of Seaside Tourism in Croatia | power | phenomenology | history | globalization | publics | class | environment | political | design |